THE FALLING
Interesting idea sabotaged by its own quirks. I kept wanting it to shed the cute self-aware dialogue and exhausting attempts at showing stuffy old characters' loosening up.
A MOST VIOLENT YEAR
A smooth but solid package of crime and business that made me think very positively of Sidney Lumet's best work. Director Chandor has been producing very good things. This is his third and I will be watching his fourth in a cinema.
ARABIAN NIGHTS
Verite blended with magic realism with mixed results. Gomes can handle the everyday but, boy, do I prefer him when he flies into imaginative skies. If you get the chance to see all six hours of it but don't want to go for the middle one with the trial, it's bloody wonderful. All worth seeing but I miss the maker of Tabu.
ANGELS OF REVOLUTION
Russian retrospective on the revolution reminds me of Hollywood's second take on the Vietnam War in the 80s. Being Russian, there is an attendant need to diverge from nostalgia and present this new take through stylised eyes. It worked but I was left hungry.
CRIMSON PEAK
Once you relax that this is not a hard horror fable and much more a gothic melodrama it's easy to fold yourself into its charms. Once it's over you might have difficulty recalling it. Not so Pan's Labyrinth or The Devil's Backbone.
TWO SHOTS FIRED
Involving baton-passing narrative but the social comedy possibly doesn't travel out of its topical zone. Couldn't hate it but didn't love it.
TEHERAN TAXI
More nose thumbing from this forbidden filmmaker and it's consistently good but there is a undercurrent of contrivance which teeters on the edge of cuteness which undercuts the whole. The final shot and its gravity almost makes up for it.
99 HOMES
A post GFC broadside at the continuance of ravenous capitalism with a dependably mighty performance from Michael Shannon and a committed one from Andrew Garfield. It impressed on first look but hasn't lingered. It has, however, interested me in Ramin Bahrani and his future.
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