Monday, December 31, 2018
2018: THE HIGH
THE FAVOURITE
Yorgos Lanthimos escaped the yoke of being the leader of Greek weirdcore a few films ago without needing to do much more than change languages. His third film in English is an energetic and deep essay on power with a cast for the ages.
HEREDITARY
This caused a lot of whinging as its massive midstream shift was seen as a letdown. I went with it and enjoyed it more than most of the new films I saw this year.
A QUIET PLACE
The story of a family struggling to maintain itself in the face of an existential threat. Beautifully realised by a first timer.
THE SHAPE OF WATER
Maestro Del Toro tells a fable like no other, this time of pride in difference opposed by the shame of keeping it secret.
OUR HOUSE
Parallel universe or haunting? This strange debut feature from a student of Kyoshi Kurosawa brings back what the teacher has apparently abandoned, the sublime in horror.
TIGERS ARE NOT AFRAID
Tough and mean but heart rending in the most beautiful way.
THOROUGHBREDS
Nasty and stark but the more powerful for that. Great performances all round. Still waiting for a release locally.
HERE TO BE HEARD
Strong rockumentary that neither elevates nor bores which makes it almost unique in its genre.
LUCKY
A poignant farewell to an old hand managed also to serve as a deceptively light tribute to finding treasure in the everyday. Haunting.
BEAST
Unexpected. Like Ben Wheatley meets Ken Loach and a commitment to a devastating conclusion.
SORRY TO BOTHER YOU
Satire writ large in this lashing of contemporary and future capitalism. Might well prove to be the cinematic satire of its era.
TULLY
Tale of impossibly angelic stranger improves the more thought it's given afterwards. Good turns by the two leads and a very funny subversion of the let's-party drive to a golden oldie.
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