This love letter to the history of a city is rich with archival imagery and anecdotes. Ken Burns slides share the screen with animated sketches, talking head experts and moments from the film record. If you live in Melbourne (as I do) you will marvel and perhaps be virtually slapped by what was and what was lost. And there are the characters like E.W. Cole (of the funny picture book fame whose mission was the spread of literacy, not just making a pound) the Whelan wrecking business whose workers put on shows of bravura high rise risk for lunchtime oglers. A sobering interview between Whelan Jr. and a young Barry Humphries gives way to the gradual momentum of the notion of preservation which seems to be the only reason why we still have landmarks like The Astor or The Windsor.
The pace is maintained and the tone kept light but there is a real depth being delivered here. By the final montage of the old and new with some bow-tying narration we feel we have peered into daily lives, witnessed visions in stone, gasped at their demolition and thought about the toll of time. And that's from a documentary about buildings. The cinema screenings for this were sold out and I wasn't going to risk going into a viral wonderland so saw it at home. But, boy would this be a treat at one of the remaining Melburnian picture palaces.
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